| The white cat was my brother, |
| He rubbed my beard, He ate my food |
| and He drank my water, |
| and this is how I know it. |
| The white cat was my brother, |
| He loved the same flowers, the same woman, |
| the same child. |
| And I know so that the white cat |
| was my brother, |
| for He gave his warmth when I was ailing |
| and He ran to join me |
| through gardens and fences |
| when I came back home. |
| The white cat was my brother, |
| He was lost when He found me, |
| and I have been lost ever since He left me |
| And |
| I know He was my brother, |
| for I was the last who held him |
| and the last thing his eyes saw |
| before He took my happiness away. |
| |
| in memoriam Perdido... |
| |
| Back to top ^ |
| Spring moonrise by the sea. |
| (The moon is on fire.) |
| I wish we could share the joyful sorrow |
| of its ephemeral beauty. |
| |
| (I must hurry back home, safely... |
| to pour this words into a page. |
| If I die carrying a poem, |
| will it die with me?) |
| |
| On the way home the old litter |
| nobody has gathered, |
| I recognize as familiar friends: |
| A wrecked can of beer, |
| A yellow take-out food container, |
| The slug that crawls on it, |
| That I don’t remember. |
| Time has passed... |
| |
| The clouds have eaten the moon, |
| The night has grown hostile |
| and the poem is dead. |
| The poet stares bewildered |
| at the lifeless keyboard. |
| |
| Back to top ^ |
| & all animals on this earth, |
| & women with buttocks like mares’... |
| |
| I love the smell of coffee, |
| & the softness of young cheeks, |
| & the freshness of the air on a sea-night. |
| |
| I love to love, |
| Because loving soothes the anguish |
| & after all, I am utterly lonely here, |
| with my anguish, waiting for her |
| to ready up and take me home |
| |
| Back to top ^ |
| She came to him in a dream, |
| but he knew he wasn’t dreaming |
| she said "I won’t stay long, |
| when you’ve fallen asleep they’ll take me." |
| He asked "who are they?" |
| and there was no answer but a kiss. |
| He fought sleep for what seemed ages, |
| he drank coffee, and took up smoking again, |
| he watched out for her, night and day |
| and they wouldn’t make their move... |
| He drank coffee, smoked and paced the room. |
| She sat and looked at him, |
| and a sour smile began to dwell |
| at the birthplace of her lips. |
| The time dragged slowly |
| and he became tired and enraged. |
| Soon they grew weary of each other, |
| and they remained together only for the battle. |
| |
| When he woke up, there was no trace of her. |
| They had taken her. Even her smell was gone. |
| |
| Back to top ^ |
| The deep seated fear. The need. The absence. |
| The toil of love itself, |
| lying powerless at the feet of ecstasy. |
| The countless stars that share your name now, |
| forever. |
| Your arms like twigs and grass |
| building nests every night. |
| My sorrow in your chest, vanishing like a shadow |
| at nightfall. |
| Our child, our boy, our man |
| - soon to be our barren lot - |
| our joint and single destiny, our immortality. |
| Our struggle to remain together. |
| Our struggle to grow apart. |
| The brutal sounds of love and fight, |
| the whispers. |
| The toys, our ambassadors the toys. |
| Our ambassadors: the flowers, |
| the carefully prepared meals, |
| the bed well tended - with tight fresh sheets |
| and crisp pillows, the books. |
| The returning birds of the lazy mornings. |
| The unassuming gestures |
| and the various misreadings. |
| The unanimous choices. |
| Chamomile and coffee. |
| Waking numb after a nap that outlasted its welcome. |
| The anguish without warning, |
| the need to bury my face in your lap. |
| The spontaneous beauty of the animals, |
| the joy we get from it. |
| The communion in the joy, |
| and the rebirth it brings. |
| Every inch of your revered body. |
| Bring them back to me, |
| safely. |
| I love you. |
| |
| Alioscha |
| Victoria, BC. 3:13 am. Monday, January 11, 1999 |
| |
| Back to top ^ |
| The light the leaves filter . . . |
| What’s left outside, |
| Who gets it? |
| The shiny faces stare back at the sun, |
| All at unison. |
| A choir of monodic leaves. |
| The house is fresh, and liveable |
| The breeze sneaks in every once in a while. |
| The music of a distant mower |
| buzzes through the siesta mood. |
| The sheets are white |
| and the pillows puffed anew. |
| The cover carefully rests |
| Folded on the seat, |
| The water glass is full and clean |
| on the night table, |
| the glasses folded on top of the book, |
| the bookmark propped neatly, |
| - three quarters in and against the spine - |
| The hands are crossing lightly |
| at the summit of the chest, |
| The legs lie together |
| conspicuously stretched and parallel, |
| There is no smile |
| - there has been no smile for some time - |
| The eyes are closed against all nights, |
| against all lights, |
| against all hope. |
| |
| Tuesday, May 18, 1999 |
| |
| Back to top ^ |
| to Dean and Lily |
| |
| Let me be the touch under your hand, |
| the choir of the rain |
| beyond the window. |
| |
| Let me be the silk over your chest, |
| the shadow of your flesh |
| timidly beneath your skin. |
| |
| Let me be the breeze between your fingers |
| and the prayer flowing through your lips. |
| |
| Let me sit the night outside your door, |
| keep bad dreams at bay , |
| until the day breaks |
| |
| Let me be the warmth against your toes, |
| the nightmare of your foes. |
| Let me be tomorrow. |
| |
| Victoria, Wednesday, November 22, 2000 |
| |
| Back to top ^ |
| Why am I visited by this winter nights of graying moonlight? |
| This bright blue gray piercing implacable light |
| that permeates it all, invades sleep and wake me |
| to this place where time and space has been frozen, |
| where you can see it all, and recognize none, |
| where nothing is far but everything is distant. |
| This merciless moonlight brings me unwanted wisdom: |
| I wake with a raw awareness of the whole. |
| I am privy to the secrets of death and of the infinite, |
| -of which only a small fraction are the secrets of life - |
| And yet I can not touch this things with my mind, |
| I can not search them for answers. |
| Or solutions. |
| I am locked outside of their understanding, |
| while intimately aware of their inexorable truth. |
| |
| I turn around to seek comfort in the warmth of your body. |
| I hug you, but we remain two. |
| I even make love to you on those gray and cold nights, |
| And we still remain two. |
| For there is no one-ness in the cold light, |
| There is a sentence to loneliness in knowing the proportions of things, |
| How little time we have to love each other, |
| before spending such long lonesome eternity. |
| |
| Victoria, Monday, June 25, 2001 |
| |
| Back to top ^ |
| Pursued by the echo of my own footsteps |
| I thought of you as I crossed the big plaza. |
| The moonlight leaning on my shoulders |
| I remembered how much you had wanted to be there. |
| And as the light grew colder and thinner and bluer, |
| so my heart grew. |
| |
| I tried to see the night with your eyes once again, |
| I often fancied that I carried you with me. |
| But as each step brought me further from my destination, |
| the plaza grew bigger, emptier, colder, meaner, |
| and so my heart grew. |
| |
| In timelessness lost, of time rid and excepted |
| by the moonlight transparent, lifeless, hollow cold, |
| I knew I could not wish we were together, |
| for I could not wish you this moonlight death. |
| The steps grew louder, and then dimmer and then faint, |
| and so my heart grew |
| |
| Victoria, Tuesday, June 26, 2001 |
| |
| Back to top ^ |
| You asked me if I could ever live |
| with the many things you were before |
| I let on that the gist of memory |
| is how it only fails us when we need it the most, |
| but that i’d aways remember to forget |
| anything you might tell me about yourself. |
| You borrowed my name for a moment, |
| you moaned it a couple of times, |
| as I recall, you called that loving me |
| and while our bodies were pressed hard against each other, |
| I believed you, |
| And I was satisfied. |
| You always said you’d leave me without warning, |
| -I guess that was a warning of some kind - |
| I had no reason to be surprised. |
| No right to be sad or feel dejected. |
| I looked around just for the sake of the gesture, |
| and to make certain you had ever been here. |
| |
| Victoria, Friday, March 22, 2002 |
| Back to top ^ |
| Final flight |
| |
| She said: "It’s not that I am out of love, |
| for I don’t think I have ever truly loved you. |
| I just don’t want to try to save you anymore." |
| So I fell eternally when she let go of my hand. |
| I fell past the routines and the sex and the warmth, |
| past the aloofness and the pain it always brings, |
| past the begging for love, the humiliation of denial, |
| the feelings of un-worthiness and emptiness. |
| I saw myself clawing at them, |
| trying to grab them to break my fall. |
| It seems that in worrying about the drop |
| I chose each time the heavier burden. |
| Perhaps I was too afraid to turn myself around, |
| look towards the sky rather than to the approaching earth, |
| and for whatever time was left |
| faithfully hold that I was finally flying. |
| |
| Victoria, April of 2004 |